![]() Just as Islamic State (Isis) has used captured American artillery against its enemies in Iraq, so it is using the west’s media tools and techniques against it. “Let the enemy prove to our soldiers the enormity of his cause – and the justness of ours.”įast forward to the present-day, and the situation seems to have been reversed. “Let their own films kill them,” Capra said. He even copied Riefenstahl’s editing rhythms and rousing use of music. His resulting seven-film documentary series, Why We Fight, repurposed footage from Triumph Of The Will and other propaganda films to show “our boys” what they were up against. “It fired no gun, dropped no bombs, but as a psychological weapon aimed at destroying the will to resist, it was just as lethal.” How could the Americans possibly compete? Capra’s solution was to turn the enemies’ weapons against them. “It scared the hell out of me,” Capra later said. He knew he had his work cut out: he had seen Leni Riefenstahl’s Triumph Of The Will – a staggering, state-of-the-art display of both film-making expertise and Nazi military might. ![]() In 1941, Hollywood director Frank Capra was commissioned to make a series of propaganda films for the US war effort.
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